Music & Lyrics by Lisa Lambert & Greg Morrison
Book by Bob Martin & Don McKellar
Thurs, Feb 24th 2011 @ 8:00pm
Fri, Feb 25th 2011 @ 8:00pm
Sat, Feb 26th 2011 @ 8:00pm
Sun, Feb 27th 2011 @ 2:00pm
Directed by Professor Mike Crum
Musically Directed by Dr. Sheryl Monkelien
Designed by Michael Crum
A rare combination of unprecedented originality and blinding talent, THE DROWSY CHAPERONE boldly addresses a great unspoken desire in all of our hearts: to be entertained. If you've ever sat in a dark theatre and thought, "Dear Lord in heaven, please let it be good," this is the show for you!
It all begins when a die-hard musical-theater fan plays his favorite cast album on his turntable, and the musical literally bursts to life in his living room, telling the rambunctious tale of a brazen Broadway starlet trying to find, and keep, her true love.
The Drowsy Chaperone pays tribute to the Jazz-age shows of the 1920s and the power those shows held to transport us into a dazzling fantasy and to lift our spirits in times of sadness.
The audience is greeted by the narrator, Man in Chair, sitting on a darkened stage. He is a fan of vintage musicals who seems to be suffering from free-floating depression, and he quickly decides to cheer things up by playing a record of the original cast recording of a (fictional) Broadway musical entitled "The Drowsy Chaperone".
No sooner has the needle touched the record than we, together with the narrator, are transported to a 1928 Broadway theater and into "The Drowsy Chaperone", a play-within-a-play crammed full of every cliché, gag and gimmick from the golden age of musicals.
The estate of Mrs. Tottendale (a wealthy dowager) is the site of an imminent wedding between showgirl Janet Van De Graff to oil tycoon Robert Martin. We are introduced to a barrage of characters during an introductory opening number ("Fancy Dress"), including Mrs. Tottendale and her Underling (a proper butler), dashing bridegroom Robert Martin, harried and bumbling best man George, producer Feldzeig (a thinly disguised homage to legendary Broadway producer Florenz Zeigfeld), ditsy would-be showgirl ingénue Kitty, a pair of Gangsters disguised as the pastry chefs, Latin Lothario Adolpho (a Rudolph Valentino-type), Janet's Drowsy (i.e. "tipsy") Chaperone (whom we understand is being played by a rather overbearing and potent grand dame of the theater), and Trix (a glamorous aviatrix a la Amelia Earhart). Throughout the show, Man in Chair will continue to comment and explain the action with asides to the audience.
Feldzeig is agonizing over the fact that his top meal ticket, Janet, is leaving showbiz to get married. The Gangsters, who are in the employ of one of Feldzeig's investors, pressure him to sabotage the wedding so that he can retain Janet's services as a performer.
Robert and George nervously prepare for the wedding ("Cold Feets"). George suggests that Robert blow off some steam by roller-skating. In order to prevent Robert from accidentally seeing the bride before the wedding, he also provides Robert with a blindfold.
Janet is lounging by a pool while fielding questions from reporters. Feldzeig arrives and attempts to convince her to reconsider the wedding, but she rebuffs him ("Show Off"). He enlists the help of latin lover Adolpho, convincing him to seduce Janet.
In her bedroom, Janet shares with her Chaperone her excitement about the upcoming nuptials. This prompts the Chaperone to perform a rousing anthem about alcoholism ("As We Stumble Along"), which is not particularly relevant to the plot. Man in Chair explains that this song was written into the show due to the demands of the actress playing the Drowsy Chaperone, who always insisted that a rousing anthem be included in every show in which she performed. After Janet departs to find Robert, Adolpho arrives and mistakes the Chaperone for Janet. The Chaperone quickly accepts his advances ("Adolpho").
Janet encounters Robert, who is roller-skating blind-folded in the garden. She puts on a bad French accent and he fails to recognize her. At her request, he tells this alleged "stranger" how he first fell in love with Janet and they relive the moment together ("Accident Waiting to Happen"). However, this results in a kiss, whereupon Janet gets angry and accuses Robert of having kissed "a strange French Girl on your wedding day!"
Meanwhile, Kitty fails to persuade Feldzeig that he doesn't need Janet anymore because he has her as a replacement. The Gangsters arrive, angry that Feldzeig has not yet ruined the wedding. He distracts them by convincing them that they have showbiz talent ("Toledo Surprise"). Adolpho arrives to announce that the wedding is off because he has seduced the bride, but Feldzeig informs him that he has in fact seduced the Chaperone instead. However, Janet arrives to announce that the wedding is indeed off because Robert "kissed a French girl." Feldzeig is ecstatic, and leads the company in another rendition of "Toledo Surprise".
At this point, Man in Chair attempts to play the record of the Second Act of the show. However he mistakenly begins playing a song ("Message From a Nightingale") from a different musical entirely, causing the setting of the play to temporarily shift to an oriental palace, and all of the actors to assume new roles. Man in Chair hurriedly corrects his mistake and The Drowsy Chaperone resumes.
Janet laments the collapse of her romance with Robert ("Bride's Lament") and decides to continue her life as a star showgirl.
Mrs. Tottendale assures her Underling that the wedding preparations should continue regardless of the apparent disaster ("Love is Always Lovely"). She also makes it clear that she is in love with the Underling.
The Chaperone informs Janet that she intends to marry Adolpho. Mrs. Tottendale and the Underling announce that they plan to marry as well. Robert arrives and asks Janet to reconsider and marry him after all. She confesses that she was the French Girl he kissed and agrees that their wedding is back on. Feldzeig is saved from the Gangsters by virtue of his new leading lady, Kitty (who is also, he reveals, his fiancé).
There is great rejoicing in anticipation of the multiple weddings ("Wedding Bells #2"). George has neglected to arrange for a Minister, but fortunately Trix the Aviatrix arrives and it is decided that since she is technically the "captain" of a "ship" of sorts, she can officiate the weddings ("I Do, I Do in the Sky") and fly the wedding party to Rio for the Honeymoon.
The show is abruptly cut short by a power failure in Man in Chair's apartment. As the Superintendent arrives to attend to the breakers, the Man explains his love for the show as an antidote to "the dreary horrors of the real world." The entire cast joins him onstage for the grand finale ("As We Stumble Along - Reprise").
Rochelle Carlisle, Heather Collins, Daniela DiBenedetto, Morgan DuBrey, Chris Fallon, Kathleen Kelly, Jason Lathrop, Alex MacDonald, Amanda Trimpey, Erika Van Gorden, Nick Webb, Stephanie Williams, Tim Wilborn
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