The main characters of The Sound of Music are members of an actual family, the Trapps, who successfully toured the world of music in choral concerts.
The first scene takes place at the Nonnberg Abbey in Austria in 1938. The nuns are pursuing their respective tasks, but the postulant Maria is not with them, for she is lying in a hammock on the mountain-top enjoying the beauty of Nature ("The Sound of Music"). The nuns, and the Mother Abbess particularly, are considerably disturbed about her, since they are convinced she is not ready to enter upon a life dedicated solely to religion ("Maria"). The Mother Abbess confesses that there are many pleasures in life which she shares with Maria ("My Favorite Things"), but for Maria's sake she decides to send the postulant away to serve as temporary governess for the seven children of Captain Georg von Trapp, a retired Austrian Naval officer, and a widower.
Maria comes to this household and completely wins over the children's affection, particularly after she entertains them and allays their fears during a thunderstorm ("The Lonely Goatherd"). She teaches the children to love music, and especially to sing ("Do, Re, Me"). And she can be uniquely sympathetic to the oldest of the children, Liesl, when she gets involved in her first love affair, with the village boy, Rolf Gruber ("Sixteen Going on Seventeen").
The Captain brings from Vienna Elsa Schraeder, his fiancee, who prevails on him to give a huge party. After the children bid the guests good night ("So Long, Farewell"), Maria becomes suddenly aware that she has fallen in love with her employer. Horrified, she flees from the villa back to the Abbey, where the Mother Abbess encourages her to overcome any obstacle that may lie in the way of her happiness ("Climb Every Mountain"). Returning to the villa, she finds that the Captain and his fiancee have separated following a quarrel over Nazism (“No Way to Stop It”). The romance of Maria and the Captain now develops rapidly (“Something Good”). They get married in a festive ceremony at the Abbey. After returning from their honeymoon, the Nazis--who by now have invaded Austria--summon the Captain back to naval duty. An avowed anti-Fascist, the Captain resolutely refuses to do so. He arranges to flee from the villa with his wife and children using the Kaltzbert Festival as cover (“Edelweiss, So Long, Farewell”). With the Nazis in pursuit, the Trapps hide in the garden of the Abbey, and after that make their way to freedom by foot over the mountains.
With The Sound of Music the epoch-making collaboration of Rodgers and Hammerstein came to an end: Oscar Hammerstein II died on August 23, 1960. Happily, this partnership, which changed the destiny of the American musical theatre, ended on a note of triumph. The Sound of Music is the most beautiful and glowing musical Rodgers and Hammerstein had written since The King and I, and their greatest box-office triumph since that time. Before coming to New York it had accumulated the largest advance sale in the history of the Broadway theatre--about three million dollars--and during its first two years in New York there was never an empty seat in the house.
First produced at the Lunt-Fontanne Theatre on November 16, 1959, with Mary Martin as "Maria", Theodore Bikel as "Captain von Trapp" and Patricia Neway as the "Mother Abbess".
In this episode of Conversations, Dennis Miller talks with Director Mike Crum, Musical Director Sheryl Monkelien and Assistant Musical Director Peggy Dettwiler about the upcoming Mansfield University production of "The Sound of Music" on March 1-4 at Straughn Hall.
Music by Richard Rodgers
Lyrics by Oscar Hammerstein II
Book by Howard Lindsay and Russel Crouse
Suggested by The Trapp Family Singers
By Maria Augusta Trapp
Thursday, March 1 2012 @ 8:00pm
Friday, March 2 2012 @ 8:00pm
Saturday, March 3 2012 @ 8:00pm
Sunday March 4 2012 @ 2:00pm
Straughn Auditorium - Mansfield University
Children (12 and under) $6
MU Students FREE with valid ID
Directed & Designed by Michael Crum
Musically Directed by Dr. Sheryl Monkelien
Chorus Prepared by Peggy Dettwiler
Choreography by Abby Van Gorden
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